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The CH700N are a comfortable pair of headphones. The large and spacious ear cups give your ears room to breathe. They don’t fit as snugly around your ears as on other noise-canceling headphones and there’s less internal pressure when you put them. The cold winter air made it difficult to gauge the usability in summer but these do seem more breathable than most noise-canceling headphones so they shouldn’t be as uncomfortable in warm weather. The ear pads, despite not being as opulent on the more expensive 1000XM3, are comfortable enough.
However, due to the insufficient thickness of the ear pads, your ears will touch the inside of the speaker grille, or at least mine did. The headband padding is also on the conservative side but again it didn’t particularly bother me through the hair. If you are follically challenged, your mileage may vary. The weight of the headphones is also on the lighter side, no doubt helped by the plastic construction. Overall, these are very comfortable and easy to live-with pair of headphones.
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Audio quality I’m always apprehensive approaching any budget pair of Sony headphones when it comes to audio quality after years of the company pushing the same muddy, bass-heavy sound through most of its mainstream products. Fortunately, that’s not the case with the CH700N. While far from neutral, the CH700N audio quality is one of the most balanced I’ve heard from a more mainstream pair of Sony headphones and doesn’t try too hard to mimic the old Beats sound, which itself has evolved over the years.
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The CH700N has a very fun sound that works with a lot of genres. The bass is tight and punchy, definitely elevated over reference values but not bloated and overbearing. It also doesn’t overwhelm the mid-range, which is free to do its thing.
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The mid-range is inherently a bit suppressed but not enough to make it harder to hear the vocals and instruments. The highlight of the sound is the high-end. The CH700N has a very lively high-end response, which makes the sound very bright and airy. It is a double-edged sword, however, as the bump in the upper-mid frequency range gives a sharp edge to some vocals and electronic sounds.
It is a range our ears are most sensitive to and it makes some genres like dubstep fatiguing to listen to (more fatiguing than usual, that is). The soundstage is nothing special for a pair of closed-back headphones but there’s enough stereo separation and imaging to keep you involved. Almost all of my testing was done in wireless mode by connecting to a OnePlus 6T. The CH700N supports SBC, AAC, aptX, and aptX HD codecs. With the 6T, the CH700N can use the aptX HD codec, which is the best the headphones have to offer.
Compared to aptX, aptX HD offers a lower noise floor. There is no LDAC support here but considering its finicky nature that’s probably not a huge loss. Most of the testing was done using the Tidal app that offers lossless 44.1kHz/16-bit audio on the OnePlus 6T, along with some locally stored 96kHz/24-bit lossless files. I also tested the wired mode with the provided cable.
The CH700N lets you keep the headphones on when the cable is plugged in. This means you are using the internal audio processing of the headphones even when you use the cable, not to mention you can also keep using noise canceling. You can, of course, turn them off to save some power but the sound quality is significantly worse with the audio processing off and you also lose out on some of the noise canceling.
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